Aprons, Part 4
May 1st, 2012
Here’s another installment from the never-ending supply of aprons. These two are both shades of pink, which may be about all they have in common.
The first is pieced, with a center panel of pale pink flanked by sides, mitered hem, and waistband/ties of a matching pale pink flowered print. There’s even a bit of deeper pink rick rack trim along the slanted pockets and around the center panel.
Like the gingham aprons last week, this one is hard to date. I know it’s not terribly old simply by feeling the fabric. Would it be a cop out to say it’s from the second half of the 20th century?
The second pink apron is decidedly on the older side. I could be persuaded to go as far as the early 1940s based on the item and what I know about my grandmother’s life. It’s a darker pink, and more simply made. All the stitching is machine-done, even the hem, with white thread and teensy tiny stitches. It’s a very close weave cotton and stiff, as though it had been starched many times. The fabric has begun to wear away in spots at the center front, and is a bit faded in some spots and shiny in others.
What makes it really splendid though is that the fabric is printed à la disposition. That means it’s printed with a design meant to be incorporated into the garment’s construction, like this decorative faux lace band along the hem for example. Cotton (and perhaps other materials too, though I’ve most often heard of cotton) dresses printed à la disposition were all the rage in the 1850s.